I have a penchant for a good indie movie: films with
humanity, skipping all the trappings of Hollyweird's "prim and
proper-ing." Movies that feel
authentic, with sincere humor and
emotionally charged, believable drama; where seasoned actors are pushed beyond
their limits and typecasting into a realm of raw originality. It is a rare thing to find any cinematic
experience that meets such criteria but there are a few that come dangerously
close. With that said, brand spanking
new director, Theodore Melfi, takes a big risk with two big names and crafts an amazing story that gives me renewed hope
that quality work still exists out there in Tinsel Town. Despite some improbable plot points and the
detestable ideas that all heroes must be reduced to the lowliest state for us
to be able to relate to them and no one is truly the "bad guy," the
overall tone, feel, and impact of this flick is remarkable. The three leads; Murray, McCarthy and, the
young, Lieberher bring a finely contrived script to gloriously depressive and
yet surprisingly hopeful life. And I just realized what a wonderfully artful
actress McCarthy is when she is not spewing relentless f-bombs or partaking in
incessantly nonsensical "Stooges" like slapstick. She is
both endearing and warmly funny. Murray
does the impossible for such an iconic comedian; he successfully and quite
masterfully separates himself from his irrefutable
imagery to deliver, what I think, is the performance of his recent career.
But it is Lieberher who steals every scene he is in, not because of his
convincingly charming naiveté but his genuineness and absolute dedication to
his role. The remaining cast is equally
impressive no matter how brief their time is on screen. This is what indie films should be; an amply
told tale, rich with credible characters that truly
connect with the audience while avoiding all the precociousness and
pretentiousness that is annoyingly common in this genre. 4 out of 5 Kernels: Thank God for small
miracles and St Vincent is one I am truly grateful for.
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