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Sunday, October 29, 2017

#Beyourownherocosplay @ #JacksonvilleComicCon

One week away!!!

#beyourownherocosplay will be hosting and judging the Cosplay Contest on Saturday, November 4th from 10am until 5:30pm!

#TheLakeWylieBatman #DarkKnight #Batman #JacksonvilleComicCon #Cosplay #CosplayContest

www.facebook,com/beyourownherocosplay
www.beyourownherocosplay.com
www.jacksonvillecon.com



#JustaQuickiePlease: The Mummy (2017) Review

After watching some films, one sits back, as the credits roll, and simply asks the question why?  Why would someone think that was a good idea and actually spend millions of dollars in a seemingly absurd attempt to bring it to cinematic life?  This is a prime example of just that.  In addition, how many times has Cruise sold his soul to remain relevant, as any iota of talent seems to be determinedly void, ridiculously miscast in every single role of late?  This is, by far, hands down, one of the most pathetic and disastrous remakes of our time.  In one fell swoop, Kurtzman, manages to wholly destroy any credible as a director he had or has hopes to earn with a universal flop, pardon the pun, that turns an already tough to convince horror concept, especially among this current generation, into a literal caricature of itself, while at the same time, making the Fraser outing appear to be a cinematic masterpiece in comparison.  Boutella's undead diva is as ridiculous as they come, overselling every scene like a used car salesman trying to make up a deficit the last weekend of a slow month.  In addition, Wallis fulfills her role as the stereotypical female sidekick trying way too hard to not be the stereotypical female sidekick in a nearly glorious silliness.  I won't even begin to wonder how much this studio paid Crowe to play a Jekyll/Hyde incarnation that unintentionally and immediately parodies itself.  Okay, some of the effects are cool, as they would be in any recent Playstation or Xbox game, so nothing notable there.  With a goofy twist at the end that feels absolutely fitting, this is yet further proof as to why box offices numbers continue to drop and how truly disconnected Hollyweird executives are from reality.  0 out of 5 Kernels; some things should just most certainly stay dead and buried, Tom's career for starters. 

#JustaQuickiePlease: Stephen King's IT (2017) Review

With the exception of a rare few, Stand By Me being the most notable example, most of King's novels, for some odd reason, have not translated well to either the small or silver screens.  In addition, as many know, unless one has lived under a fairly large rock for the last decade or so, this is not the first outing for one of the horror master's most iconic stories.  The initial was a TV mini-series, boasting a fairly all-star cast for its time, including the legendary Tim Curry in the notoriously gruesome role of Pennywise the clown.  Despite, its 90's limitations on effects, the performances and storytelling were surprisingly powerful, and, although Curry now strangely despises the portrayal, his villain was quite terrifying.   So one would think, seeing how King's film legacy has been so spotty at best, that taking the huge risk of rebooting a win would be somewhat nonsensical.  However, this cinematic retelling does what few "re-envisionings" have come even close to accomplishing.  Not only is it a true testament to its literary source, but it is also a truly masterful film, combining utterly engaging and authentic performances, with a remarkable script, stunning cinematography, and quite frightening effects that wholly disturb without becoming cumbersome or lessening an otherwise incredible production.  The young cast is stellar, flawless in their genuineness, harkening back to what Reiner captured with the aforementioned Stand by Me, and, dare I say, improving upon it.   Although Bill SkarsgĂ„rd's incarnation of the demonic clown is inspired and should be sincerely lauded, it is, however, Lillis and Wolfhard (Stranger Things) who determinedly occupy center stage with their remarkable portrayals.  All of this well earned praise is only further astounded by the fact that this is the work of a relatively unknown director, Andy Muschietti, who has, in one outing, wholly proved his credibility as an artist and visionary.  Overall, the best King film on the market and one of the best horror flicks to arrive within the last two decades.  5 out 5 Kernels; let's hope this is the beginning of great things to come for this author's future theatrical prospects and that the upcoming sequel will be as formidable as its predecessor.