Wednesday, July 19, 2017

We have just purchased our new 4K DJI OSMO with Z-Axis

We have just purchased our new 4K DJI OSMO+ with Z-Axis....

Check out a sample of the awesome footage that this rig is capable of...

Beginning this Sunday...all LIVE and Post episodes will be filmed in 4K!!!



#Dusk #DuskSeries #Darknesswillfall #vampire #werewolf #witch #magic #supernatural #paranormal #series #webseries #livestream #FacebookLive #FentonInAction #DieforMal #FallenAngel #Wolf #Majestic #Alchemist #DJI #OSMO #4K #ZAxis

Friday, July 7, 2017

#JustaQuickiePlease: Transformers: The Last Knight Review

                Two and a half hours of complete CGI B.S and that is being way too kind.  The equivalent of Michael Bay's wet dream, as opposed to his swan song, this final chapter (yeah right) of the once inspired, funny, and innovative series, ends up being a nonsensical, ridiculously illogical,  poorly acted, middle finger to common sense and scientific principle, not to mention, any fan of the franchise.  
                I will give credit for Bay's only success in this farce, in the way he ties the enterprise altogether.  However, he and Singer share the same disrespect for continuity and timelines, as each film seems to retell the history of the robots that are "more than meets the eye."   It's literally as if Barry Allen was the head screenwriter.  
              Long gone are the days of the cartoonish fun and spectacular effects, replaced by a disconnect and gratuitous glut of CGI, poorly timed humor, that feels disjointed and disingenuous, shotgun editing, and an utter disregard from character development or believable plotlines.   At least the Dinobots got a bit more screentime, although I don't think puppy like play time is what everyone expected, or wanted.
              0 out of 5 Kernels: Apparently even Transformers have a self-destruct mode, and it only took 5 films to find it.

#JustaQuickiePlease: Life Review

                Sony's not a prequel to their upcoming Venom enterprise is absolutely a prequel to their upcoming Venom enterprise.   Director Espinosa delivers to the screen a return to the claustrophobic, heart racing, edge of your street, science fiction horror genre that has been sorely lacking since such iconic thrillfests as the original Alien and the space vampire romp Lifeforce.  
                 This is a tale of terror that never quite looks like a tale of terror until the last act of the film.   Instead, what we get is an authentic voyage into the ill-fated lives of this effective ensemble that starts as bright as hopefulness can be and ends in an utterly disturbing dismay with a gut-punch twist.   Exquisitely filmed, with a nicely crafted script and a terrifyingly imaginative creature that truly gets under your skin as it malevolently evolves, Life nearly wins on every level.  
                 3 out of 5 Kernels: it may not measure up to the Xenomorphs, but Calvin is just as cool and creepy, so don't let the name fool you.

#JustaQuickiePlease: 47 Meters Down Review

                   Promoted as the next Jaws, this shipwreck is more hapless minnow than ominous great white.  Predictable, silly, and at times, downright boring, Moore's attempted comeback drowns in its own undeniably failed attempt at horror and drama.
                    You know it's going to be a bad day when all four of your CGI sharks, look identical to each other down to the very last detail.   Completely ignoring any principles of science, and with sharks who are more controlled by plot device than actual bloodlust, director Roberts seems to be in a desperate and relentless race, of one, to become the next straight to download, B-movie master.                              While Mandy is awful, her supporting ensemble is worse, all apparently competing for the prize of being either the most irritatingly stereotypical or exhaustingly stale.   Without a doubt, the only scary elements of this flick of finned fear were the price of admission and the seemingly endless runtime.
                   0 out of 5 Kernels; a toothless tale of terror.

#JustaQuickiePlease: John Wick: Chapter 2 Review

                  Ratcheting up the action and artful choreography, this sequel is an amusement park ride of kick assery but is sorely lacking in the humanity and intimacy of its predecessor.   This next installment picks off right where the last left off, with all of the gusto and bravado as a blockbuster bull in a china shop.   However, by credits roll, that is all this film is; nonstop, sophisticated and nearly eloquent action, and although that may appear to be enough, the absence of the original's substance and gritty indie feel truly lessens its overall value.  This next episode seems to fall victim to one of the vastly ignored rules of filmmaking in Hollyweird; sometimes a bigger punch isn't a better one.  
                 Reeves is an immense a presence as expected, owning every second of screen time.  The Matrix reunion, with Fishbourne, is a bit disappointing, but the best script writer on his or her most creative day could have never matched that hype.   The remaining cast is solid, not exceptional, but they compliment the story.
                 This is a movie of scenes, ones that make you literally have to catch your breath in their sweep and scope.   In totality, however, it falls into the company of most sequels; all unable to truly measure up to their firsts.  The set up for a third is brutally evident, let's just hope they return to their roots and give us a final chapter worthy of the Wick.  Although my vote would go to a prequel, so we can all bare witness to that impossible task.
                3 out of 5 Kernels; the most heartbreaking moments, watching that magnificent muscle car being torn to shreds.  It was nearly unbearable.

Thursday, June 29, 2017

#JustaQuickiePlease: Pirates of the Caribbean: Dead Men Tell No Tales Review

             Dead Men may keep quiet, but Disney execs will tell a tale as long as it makes them richer; so, to add yet another installment to this slowly stalling franchise is a no-brainer for the wealthiest mouse in the world.  
             The first two were original stories with exquisite filmmaking complimented by an extraordinary cast.  The third, was a solid end to the trilogy, a bit long in the tooth, but exciting and engaging none the less.  That's when the good came to a world's end and the truly stranger tides swept us into muddy waters.  The fourth film was so bad, it felt like visual torture, utterly silly and incomprehensibly inferior in every way to its predecessors.  
             Did the fifth entry fare any better?  Only in comparison to the dribble that number four provided.  The most tragic element in the totality of this series is that the cunning, enigmatic, and iconic Jack Sparrow, Depp so carefully and imaginatively honed, is long gone, replaced by a clown; a ridiculous caricature of its former self, reduced only to ineffective comic relief.  Although this outing brings back many of the thrills and spectacular stunts and cinematography of the first two, the story is simply a regurgitation of the original film.   In addition, gone is the charm of Barbossa's' legendary villain, replaced by a ho-hum, uninspired baddie who relies too heavily on CGI and very little on charisma or personality.   The veteran cast barely "phones in" their performances while the newbies try their best to etch their own signatures on what feels like a failed attempt at a reboot.  Even the return of two beloved characters feels forced and uneventful by credit's end.  
             Hold on to your Tricorn, because a six is seriously hinted at.  Once can only hope that will be the last voyage of the weary Pearl.
              2 out of 5 Kernels; Sometimes it's just best to find safe harbor,  drop anchor, and be grateful for the oceans already charted.

#JustaQuickiePlease: Wonder Woman (2017) Review

                Superhero with a shield stops evil Nazi scientist from using a supernatural like weapon against the world assisted by a ragtag bunch of hooligans and one of the heroes dies in a plane crash.   No, it's not what you think, well, maybe it is.
                 Yes, it's DC's First Avenger, the very first action movie with a strong female lead, unless you count the Alien franchise, Rogue One, The Force Awakens, Terminator 2, Kill Bill, Buffy the Vampire Slayer, Xena, oh, and the original Wonder Woman series.   Without a doubt, visually stunning, but after that, it's pretty much a rewrite of Captain America with the only differences being an island, a touch of Greek mythology, and enough slow motion photography to make Zack Snyder wet himself.    Gal Gadot is an amazing Diana Prince, unfortunately, the writers and director absolutely fail her with this stale, unoriginal, and effects-heavy farce that reminds us why Marvel continues to rule the comic book cinematic universe.  The only saving grace, what little there is of it, is the relationship between Pine and Gadot, which looks and feels completely genuine.   The remaining cast is laden with lackluster, caricatures that bring very few laughs and insignificant value to the story or performances.  
              2 out of 5 Kernels: This could have been DC's big win, the start of a major comeback, instead it simply becomes the best of the worst.  Which is kind of like being excited about stepping in the smallest turd at the dog park.