Take
one part Mr. Holland's Opus, one part Dead Poets Society, and sprinkle in a
little of Rocky then mix it all together and blend it in the mind of Kevin
James and you get Here Comes the Boom. Frank Coraci, best known for such comedic Sandler hits as (yes
there was a time when Sandler made good movies) The Water Boy and The Wedding
Singer bring us this endearing tale of striving to achieve the impossible, both
becoming an effective UFC fighter and successfully teaching in High School. Despite being a bit preachy at times,
somewhat simplistic at others, and a bit predictable the overwhelming positive aspect
of this film is that it is endearing. This is James best role to date, a little less goofy, a little more serious,
and certainly more fit. Winkler also delivers
a winning performance, unlike other Happy Madison productions. The acting is believable, the character
chemistry is genuine, and the dialogue is fluid. The humor is solid, not
sidesplitting but entertaining and although the story can get sappy at times I
did find it quite inspiring. It's a feel-good film designed in every way
to be that without excuse and in these cynical times where everyone's a skeptic
it's gratifying to have a slight glimmer of hope come out of Hollywood now and
then. This is one you could watch over and over again, which in and of itself is a compliment. 3 out of 5
kernels; maybe not a comedic knockout for James but he undoubtedly went
the distance.
This is my first and only blog attempt that will include; movie reviews, personal thoughts, some humor, and, most importantly, a collection of the concepts and stories that I have both published and are currently developing for future publication. You are welcome to comment on everything, however, I request that all comments are absent of vulgarity or obscenity and demonstrate genuine critical thinking and honest interpretation. Thank you.
Sunday, February 17, 2013
Thursday, February 14, 2013
One Minute Movie Review: Ice Age: Continental Drift
I am going to go right to the point on this one; to put it succinctly and profoundly, this is a cute movie. Why, again,
it took two directors to bring it to life, perplexes me, but, Steve Martino, director of Horton Hears a Who, and Mike Thurmeier conclude this franchise in a family friendly
and mildly entertaining way. At least I hope it is the conclusion.
With an overflowing talent pool, swimming with the acting and voice
talents of such thespian greats as Nicki Minaj and Joy Behar, the casting seems a bit overkill for an extremely
simple plot and individually short screen time. I am sure their salaries
didn't reflect that though. The core cast, Romano, Leguizamo and Leary do an OK job of keeping the comradely alive,
but the “beat the dead horse factor” is definitively there. The animation
is excellent, the humor is not, but it's a kids’ film so anyone under that age
of 8 might be amused. It pales in comparison to the
original, and all the depth and humanity have been replaced with sitcom like heart
string grabs. It’s a safe bet for the kiddies, just make sure any adults
have their Iphones or Androids handy to get you through the bulk. If you’re looking for a time killing app., I highly
recommend Where's my Water. 2 out of 5 Kernels; not horrible, but is that
actually a compliment.
Thursday, February 7, 2013
One Minute Movie Review: Branded
Three letters to best sum up this
film are W, T, and F, all capitalized. What could have been a strange and
unique thriller commenting on the current state of our societies’ dependence on mass
marketing to shape our ideals, opinions, and even identities ended up being a
silly and contrived attempt at mixing confusing ideology with exceptionally awful
sci-fi. The saddest part, it took two, not one, but two directors to bring
this mess to the silver screen. The only redeeming aspect was the acting,
which, for the most part, was one level above satisfactory. Everything else was atrocious. The
story, told both by the characters and via
narration, strangely sounding like Gene Roddenberry's wife (who
appears, by the way, as the outline of a
cow made up of stars in the heavens, yes, you actually read that) is convoluted
and slow. It moves so methodically that it teeters between boring and
overbearing. The plot plays like an indie conspiracy flick at first, then
quickly devolves into indescribable goofiness, overwhelming any symbolism and credible theory.
When the special effects arrive, and I use that term loosely, more
so than Lindsey Lohan's bra strap, they are remarkably disappointing and bizarre.
The only comparison I can make is Dr. Seuss on acid. I won't reveal
any more, however, the only spoiler to this movie, is seeing it. 0 out of
5 Kernels: If I could have given a negative numeric value, I would.
Tuesday, February 5, 2013
One Minute Movie Review: Dredd
The best way to sum up this film is this; if you are a fan
of the comic this will be purely compelling and enjoyable, however, for me is
yet another example of less is more. It
is a picture that is both overtly violent and gory, undoubtedly the way creator
John Wagner would have envisioned his legendary comic book antihero to be portrayed
on the silver screen. Karl Urban's incarnation falls somewhere between
tongue-in-cheek and total bad ass, a far improvement above Stallone's cornier
version which bombed at the box office. Olivia Thirlby's co starring performance
is unremarkable but tolerable. Lena Headey's villainess is unique and
original in some ways, but her acting is mediocre at best which overshadows her
character’s presence on screen. The story is engaging playing more like
a video game than a movie, but the overkill of gunplay and human splatter substantially
lessens the entertainment value. The best assessment would be a high
octane, bullet riddled joyride that plays like a hybrid of Predator 2 and Die
Hard on meth. 1 out of 5 Kernels: the better of the two Dredd
movies, but that is not saying much.
Thursday, January 31, 2013
One Minute Movie Review: Frankenweenie
If
weird and creepy were a kingdom, Tim Burton would be the undisputed ruler.
In the beginning, Burton’s work was groundbreaking, reaching new levels
of creativity and uniqueness. However, as time has marched on, Burton’s outings
have become more and more bizarre and less and less enjoyable, having a fresh flock
of cinematic albatrosses to confirm that fact. With that said, this is
the pinnacle example of a film that Burton may have made just to amuse himself,
like a private joke gone horribly wrong. Although the cinematography and animation
are positively stunning, the story is choppy and downright goofy. Combine that with the overwhelming and
ominous focus on death and that pretty much eliminates any warm and fuzzies for
the kiddies. Did anyone bother to inform Tim that children’s films need
to, hmm, let’s say, be appropriate for the young’ens and not depress the
Skechers off of them? The humor is
nonexistent, and Burton’s attempted tribute to the classic movie monsters of old
gets lost in translation as the story makes remarkably little sense and is even
less entertaining. This movie feels more like a 1st year film
school student’s animated short than an experienced director’s swansong. 0
out of 5 kernels: the only thing scary about this movie is that it was allowed to be made in the first place, and the
only laughs it received were Burton’s, all the way to the bank.
Wednesday, January 23, 2013
One Minute Movie Review: Trouble With The Curve
This is perhaps one of the most painful reviews I have ever
had the displeasure of writing as I am a humongous, with a capital U, fan of
Clint Eastwood who has moved from entertainment icon to true Hollywood legend. Eastwood has a litany of films that are genuinely powerful, engaging, and amazingly
crafted, this is not one of them. Instead,
first time director, Robert Lorenz brings us a sappy and predictable feel-good
story that lacks any passion or authenticity. Eastwood and Adams performances are tired at
first, forced by mid picture, and cartoonish by the end. Add in Justin Timberlake, who has no business
in any form of theater whether it by stage or silver screen, and you have one deeply
disappointing film. The story takes too
long to get to its point and by the time it does you have lost all interest. If not, you are absolutely unimpressed by its
conclusion. I like happy endings in
films, especially in this overtly cynical world, however, I expect films with
that ambition to be well written, directed, and acted and constructed in such a way where that
ending makes sense and is not unduly gooey. Eastwood is a master of his trade so I cannot
figure out for the life of me what possessed him to make this movie. Even in his 80s he is a far better actor than
anyone in Hollywood of any age and one of the most gifted directors of our
time. Which again makes this review difficult
to document and this movie hard to digest.
To sum up, using a baseball analogy, if
this movie was a pitcher the least of his troubles would have been the curve. 1 out of 5 kernels: you’ll have to forgive me, but I can't bare to
give one of my lifelong heroes a goose egg.
Monday, January 21, 2013
One Minute Movie Review: Premium Rush
To begin with, there was nothing premium about this movie. As far as, any rush is concerned, I honestly have to say, it was more a cure for insomnia
than anything else. David Koepp
delivers us a commercial for Motorola GPS more than a movie. Utilizing choppy editing to tell the story,
out of sequence, Koepp attempts to create
a “ 24” like production in a 2 hour timeframe. He fails, and instead creates a lazily constructed plot with goofy and stale
acting and a severe overuse of bicycle chases that get old faster than anyone can
petal. Joseph Gordon-Levitt is apparently
Hollywood's new golden boy if that is
the case, it is Fools’ Gold. As an alleged
action star he's lackluster at best and, overall, as an actor, he proves with
each movie he may want to rethink profession.
He has no chemistry with any of his castmates as his performance is as dry as Arizona
asphalt. I won't even bother mentioning the
names of the other players because I'm confident that, in retrospect, they
would like their roles in this mess to be quickly forgotten. The dialogue is
corny, the action sequences are repetitive,
the chase sequences are too long, and if
I wanted to see the absolute glut of bike tricks I would watch the X games on
ESPN. The story is overly simplistic and
predictable, about as engaging as
watching grass grow or paint dry, you
choose. Apparently Levitt is being
scoped out as a potential Batman substitute for the Justice League movie. If so, I would liken that move to placing a
large hunk of Kryptonite in Superman’s toilet.
If you must see a cheesy bike messenger story I recommend the 1986 flick,
Quicksilver, starring the amazing Bacon. At least you know what you're getting into.
0 out of 5 Kernels: the only feeling of rush
I had was to rush to the credits so it would be over with.
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